It's also much gorier than the Ramayana, which was at first disconcerting. It's unapologetically dark and violent, and sets a far-different tone. I've heard that there is nothing more painful for a parent than the loss of their child, and these first few chapters are filled with these losses on both sides. The stakes are so very high. And then there's a scene like the one where Ashwatthaman mumbles to destroy Drona's morale, which comes off as comparatively light, while reinforcing his honorable reputation. (Though I question how he morally justified this trickery- seems like a good ol' fashioned loophole to me). And THEN blood is drunk a chapter after. The mood switch from sentence to sentence is abrupt and therefore exceptionally effective in jarring the reader, unsettling them slightly for the final sequence.
"The pale stars looked down on the dead and the dying." The funeral sequence is devastating, and I can imagine it with a background of music like Brian Tyler's Into Eternity or the Williams music from Vader's funeral pyre at the conclusion of the original Star Wars trilogy. Ganga emerging from the river to deliver a eulogy was likewise touching and heartbreakingly sad, and adds to the significance of their deaths, as a literal goddess appeared in sorrow for the loss of comparatively insignificant human life. Truly epic in every sense of the word.
Image Info: Arjun Invokes War-Goddess, from Grant Morison's Reimagined Visual Mahabharata Anthology, 18 Days. Source: Scoop Whoop.com. Link. |
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